Do you have a Netflix membership? Have you watched the Best comedy films on Netflix? You can find everything from funny satires to endearing romantic comedies here. However, keep returning often to see the latest additions, as Netflix releases new films regularly. Additionally, we have a list of humorous movies if that’s more your style than humorous films.

Best comedy films on Netflix

The Favourite

Come for Yorgos Lanthimos’ sumptuous black comedy and stay for Emma Stone and Rachel Weisz’s nearly equally memorable turns as two courtiers vying for the affections of the 18th-century monarch. Come for Olivia Colman’s towering turn as the prickly Queen Anne. Despite the time and location, this intricate female love triangle exists almost entirely outside of male society and influence. It serves as the basis for a caustic, lewd black comedy that is unmatched by anything we’ve seen recently.

The Favourite, a strange and striking period drama that was nominated for ten Oscars in 2019 but only took home one (Colman, for Best Actress), is sure to go down in history as a classic among movie buffs.

Superbad

Why is it that all teen comedies can’t be as clever, witty, and ultimately heartwarming as Superbad? The movie deftly balances all the clichés of the genre—partying, sex, and friendship—without coming across as cliched or bloated.

It’s ninety minutes of evidence that parties will always make people anxious. To purchase the alcohol, you’ll need an adult (perhaps your high school buddy with the “McLovin” ID will do). You have to make an impression on the girls (Seth discovers that giving them a hard blow to the face works well). We just wish they were all as deranged as Bill Hader and Seth Rogen. Of course, there’s always a chance that the police will show up in American films and take everyone home.

Parasite

The black comedy that won Best Picture and starred Bong Joon-ho Oscar-winning patterns on both sides. It’s astounding that this is the first foreign-language movie to take home the trophy. Additionally, the tone of the film is incredibly cynical and mischievous, whereas the Academy typically values optimism, sentimentality, and earnestness in this regard. Along with being expertly written, fast-paced, hilarious, shocking, perceptive, and pertinent to the state of the world today, it also moves at a dizzying pace. It was unavoidably chosen as the greatest film of 2019!

The working-class Kims and the affluent upper-middle-class Parks are the two drastically different Korean families at the center of the movie. Although the Kims successfully execute a brilliantly cunning plan to position themselves as well-paid domestic workers for the gullible Parks, their triumph is fleeting due to a twist. All of a sudden, neither they nor the audience truly know where they are. A fascinating essay about class, injustice, and how our culture makes everyone, rich or poor, want to suck blood.

Pretty Woman

From a 2024 perspective, the subject matter of Pretty Woman, the ultimate romantic comedy, may not seem all that bright and breezy: a handsome, wealthy, but emotionally closed-off man hires a prostitute to be his no-strings companion for a week, only to fall in love with her. Nevertheless, despite everything, it’s primarily a lighthearted comedy about class, sexism, and cultural clash starring two incredibly likable actors, Julia Roberts in her breakthrough role and Richard Gere.

The heart of Pretty Woman is definitely in the right place, but it wouldn’t be made today, at least not in this form. witty, endearing, and yes, romantic.

Groundhog Day

Though it wasn’t Groundhog Day until after it was created, Groundhog Day was the one that gave rise to the holiday itself. It was, in other words, once a charming American custom centered around a plump animal; however, it has since become a cliche that can be applied to almost anything that occurs repeatedly. Moreover, Bill Murray is solely to blame.

Here, directed by Harold Ramis of Ghostbusters and Caddyshack, Murray is at his most lugubrious in a low-key comedy that rides on a terrific hook of a premise (a man who keeps living the same day over and over again) and is just funny enough not to waste it on sentimentality. Warning: romanticism and/or self-discovery akin to Ebenezer Scrooge may be present.

The Unbearable Weight of Massive Talent

In an action-comedy that examines the great man’s career and public persona with a decidedly postmodern eye, Nicolas Cage plays himself—or, perhaps more accurately, an alternative-reality version of himself.

After experiencing a strained relationship with his teenage daughter and not being able to secure the meaty parts he feels he deserves, Cage (the character) decides to retire from acting. However, not before accepting a last-minute paycheque role as the guest of honor at a wealthy superfan’s birthday party (played by Pedro Pascal, who looks like he’s having a great time). Dejected and resigned to a life away from the spotlight, he heads to the Mediterranean for one last big payday, escorted by the ghost of his digitally de-aged younger self (yes, it was postmodern), only to find himself in the middle of a kidnapping plot. Now for the gunfire, brawls, and insane one-liners that we have come to expect from the great man.

Four Lions

This 2010 satire on jihadism, directed by Chris Morris, who also co-wrote the script with Sam Bain and Jesse Armstrong of Peep Show, is incredibly funny and disturbingly relevant even today.

The titular lions are bigoted buffoons who obstinately cling to an extreme belief (suicide bombing “moderates”) despite mounting evidence of their idiocy and the contradictions in their agenda, much like the bumbling, corrupt politicians in Bain and Armstrong’s In the Loop.

Though it’s not just about the jokes, Four Lions is frequently hailed as the This Is Spinal Tap of terrorism. After years of research, Morris painted a picture of British Islamists that is probably far more accurate than the media’s portrayal of them as cunning masterminds: confused, misguided, and easily led losers.

Fantastic Mr. Fox

A halting motion Fantastic, the Wes Anderson film adaption of Roald Dahl’s beloved novel about a country fox who tricks three cunning farmers, It’s surprising how well Mr. Fox can blend the oeuvres of the two artists. The sets and animation are stunning, and Anderson’s visual aesthetic works just as well with models as it does with people. His script gives Dahl’s book a fresh, humorous spin while preserving the majority of its themes and ideas. George Clooney gives a fantastic vocal performance in the movie’s title role, which will appeal to both adults and children.

Zombieland

With a refreshingly self-aware opening credits sequence that lays out the ground rules for survival in a post-apocalyptic, undead-infested America, Zombieland gets off to a great start.

The rules are what keep Jesse Eisenberg’s lily-livered Columbus alive, and Woody Harrelson’s Tallahassee, his traveling companion, is a reckless killing machine who is searching for the last Twinkie. This zombie film is incredibly clever, and funny, and features one of the most memorable cameos ever. It’s worth seeing.

Don’t Look Up

Although some disagree with Adam McKay’s darkly humorous portrayal of the end of the world, we believe it to be a perfectly good satire that makes a terrifyingly relevant point: the world we currently live in is too divided, easily distracted, and inward-looking to be able to handle any truly significant issues that may arise.

The response they receive from those in positions of power, ranging from dismissal to indifference to “How can we exploit this for political gain?” could easily be applied to climate change or the coronavirus pandemic. In the movie, a mountain-sized comet is hurtling toward Earth, spotted by Leonardo DiCaprio and Jennifer Lawrence’s low-level scientists and almost certain to wipe out all life on Earth. Despite the serious subject matter, the tone is kept light by the ensemble of A-list actors, McKay’s signature fast-paced direction, and an abundance of jokes.

Glass Onion: An Unsolved Mystery

Fortunately for the rest of us, Rian Johnson’s films are typically entertaining, topical, and full of surprises. He may have upset millions of people who live in basements by helming the first truly interesting Star Wars film in over 30 years. Johnson’s own Knives Out sequel, Glass Onion, is no different.

While Daniel Craig plays dapper private investigator Benoit Blanc in this suspenseful comedy, the other all-star cast members are replaced with a brand-new group of A-list actors. His legendary deduction skills are put to the ultimate test when Blanc is called to a tech billionaire’s private island for a murder mystery party—only to discover that a real murder has occurred. Dave Batista, Kate Hudson, Janelle Monae, and Edward Norton are among the cast members.

Step Brothers

Despite his inconsistent filmography, Will Ferrell is still a very good actor when he delivers a strong performance. Step Brothers is one of the films that demonstrate this, if a little unexpectedly considering its premise. Playing pampered middle-aged man-children who still live with their respective parents after their parents get married, Ferrell and the equally amazing John C. Reilly are eventually forced to share a home. As the two go all out for battle, chaos follows.

If this sounds like the kind of movie Adam Sandler would steer clear of, think again. Step Brothers quickly move from standard slapstick humor to, well, superior slapstick buddy comedy humor as the two former rivals band together to face a common enemy. It will keep you laughing for ninety minutes, but it won’t change your life.

Game Over, Man!

Though it sounds as torturous as walking barefoot over broken glass, Game Over, Man! is a welcome surprise. It’s a slacker comedy take on Die Hard. Nevertheless, “pleasant” would be a poor word to describe the source of the majority of the laughs; this is one of the best gross-out comedies in recent memory, full of graphic nudity, toilet humor, and other wonderful elements.

The arrangement? Except three housekeeping employees, a group of skilled foreign terrorists storm a chic high-rise hotel in Los Angeles, holding everyone—including pop-reggae icon Shaggy from the 1990s—hostage. Is it possible for this group of losers to defeat the antagonists and come to the rescue? So, what are your thoughts?

Love and Monsters

Though it may seem strange on the surface, this vibrant, action-packed, and engaging comedy adventure set in the post-apocalyptic USA does a great job of handling tone and storytelling. Cowardly but endearing Joel chooses to leave the relative safety of his underground bunker to find the girlfriend he hasn’t seen in over ten years, seven years after an event that caused cold-blooded animals to rapidly evolve into enormous mutant monsters and humans to move right down the food chain. Eighty miles of wilderness teeming with predators lies between the two of them, assuming he can even walk in the correct direction.

The next ninety minutes are filled with heart-pounding action, well-written romance, strong character development, and humor that will have you and your children glued to the screen.

Paddington

You will laugh aloud in pain and jump off the couch during a certain scene in Paddington. This cinematic tribute to everyone’s favorite marmalade fiend, whether you’re a bushy-eyed kid or an adult, manages to entwine itself around your heartstrings.

It features excellent voice acting by Ben Whishaw, belly laughs aplenty, and a welcome, loving perspective on immigration. Can a bear from Peru defeat the evil Nicole Kidman and make a place for himself in Britain? You’ll love learning the answer, even though we’re not revealing it.

Dolemite Is My Name

In this wild biopic of Rudy Ray Moore, Eddie Murphy is fantastic. Moore is a middle-aged, overweight, and professionally aimless musician and stand-up comedian who rose to fame in the 1970s by inventing a smooth-talking, self-assured stage alter ego, a pimp named Dolemite. The story of Murphy’s rise from poverty to wealth may seem all too familiar, but it’s worth watching if you’re unfamiliar with Moore and Dolemite. Murphy’s performance, a great supporting cast full of well-known characters, and a surprising amount of heart and soul make it a compelling read.

Marriage Story

Noah Baumbach’s films, such as The Squid and the Whale and The Meyerowitz Stories (the latter of which is also suggested in this piece), have a way of exposing the tragicomic intricacies of contemporary human relationships. This Netflix original delves deeper into the disintegration of a young couple’s marriage, starring Adam Driver and Scarlett Johansson.

For the benefit of their young son, the couple tries a “conscious uncoupling,” but they end up in a far more contentious situation in the process. Marriage Story begins as a gloomy story about a love gone bad, but it develops into something much more complex and bittersweet.

Always Be My Maybe

Calling a movie “Netflix’s best original romantic comedy” might seem like a cop-out, but Always Be My Maybe is a genuinely fun, sometimes hilarious parody of the overdone genre, starring (and written by) two endearing leads in Ali Wong and Randall Park.

The story revolves around two old friends from childhood who, despite having taken quite different paths in life, unexpectedly cross paths again many years after an awkward falling out. Although the outcome is probably predictable, the journey is what makes it interesting, especially when a certain adored Matrix megastar shows up as a major sport in a scene-stealing cameo.

Paddleton

Everybody Is Fond of In this subdued yet poignant independent comedy, Raymond’s Ray Romano performs his life. Romano plays the neighbor and friend of the equally impressive Mark Duplass. A terrible medical diagnosis upends the twosome’s enjoyable routine of watching martial arts films, doing jigsaw puzzles, eating pizza, and inventing a new game they call ‘paddleton’.

One of the best Netflix films to date, this film deftly depicts male friendship in a way that is unsentimental, subtle, and utterly convincing, despite its potential to be an overblown drama.

The Ballad of Buster Scruggs

The Coen brothers’ original plan called for this collection of Wild West stories to be divided into six separate episodes, but they ended up combining them into a single anthology. In its two hours, we meet several characters that are distinctly Coen, such as the title character, a bank robber who meets his match, and a determined prospector played by Tom Waits. The Ballad of Buster Scruggs has plenty of quirky Coen brothers charm, black humor, and memorable lines, but the format means that the story, which tells the story of a blossoming romance on a wagon train journey to Oregon, never quite gets going.

Monty Python’s Life of Brian

That boy is a real mischievous boy, not the Messiah! Following its 1979 release, Life of Brian was banned for eight years in Ireland due to blasphemy laws, but today it is considered one of the best comedies ever made, a national treasure of Britain, and a witty critique of the hypocrisy of organized religion. A regular, unremarkable Judean man is mistaken for Jesus Christ in this fantastic film, which is now available to stream on Netflix like pretty much everything else produced by the Monty Python team. This opens up the film to a whole new audience.